Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Structure and versification in Death be not Proud
Sonnet form
Death be not Proud is technically a Shakespearean, or Elizabethan, sonnet, consisting of three quatrains and a couplet. Typically, the couplet packs the punch, which it does here, though the preceding lines are not without their punches too.
However, the rhyme scheme (abba abba) is that of the Petrarchan sonnet which has the first eight lines as a group or octave. The Shakespearean sonnet typically rhymes abab cdcd. However, the couplet rhymes of ee is typical of the Shakespearean form.
Sonnets are typically in iambic pentameters.
- Donne, however, likes an emphatic start, so there is some significant first foot inversion to make sure the stress comes on the very first syllable of the lines:
- ‘Death','Might-‘,'Die', ‘Rest'
- Notice, too, the caesurae in ll.4,12,13,14
- Also the lists in ll.9,10, giving extra stresses spondees on ‘Chance, kings'
- The rhythm is disturbed a number of other times, as in ‘one short sleep past'.
Investigating Death be not Proud
- Consider the rhyme scheme of Death be not Proud
- Can you see any internal rhymes?
- What other stylistic features have you noticed?
- Trace the contrasts in rhythm that Donne introduces
- If you were setting this to music
- where would you emphasise the beat?
- where might you employ some syncopation?
- where might you vary the tempo?
- What seem to you the most memorable features of the poem?
Resource: The sonnet has been set to music by Benjamin Britten: The Holy Sonnets of John Donne, Op.35.
A rhyming 2-line unit of verse.
The device, frequently used at the ends of lines in poetry, where words with the same sound are paired, sometimes for contrast ' for example, 'breath' and 'death'.
The 8-line stanza of a Petrarchan sonnet, always occupying the first eight lines. It sometimes has a division halfway, creating two quatrains. It poses a problem or describes some single object or incident.
A rhyming 2-line unit of verse.
A unit of metre, being a foot of two long, or stressed, syllables.
The musical effect of the repetition of stresses or beats, and the speed or tempo at which these may be read.
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