- Metaphysical poets, selected poems
- John Donne: Poem analysis
-
A Valediction: of Weeping
- Aire and Angels
- A Hymn to God the Father
- At the Round Earth's Imagin'd Corners
- Elegie XVI: On his Mistris
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Flea
- This is my playes last scene
- What if this present
- Imagery and symbolism in Valediction: of Weeping
Metaphysical poets, selected poems Contents
- Introduction
- Timeline
- Images
-
Author(s)
- Donne, John
- John Donne's early life
- John Donne - from Catholic to Protestant
- John Donne's marriage and its aftermath
- John Donne - The Reverend Dean
- Herbert, George
- Crashaw, Richard
- Vaughan, Henry
- Marvell, Andrew
- King, Henry
- Lovelace, Richard
- Cowley, Abraham
- Philips, Katherine
- Cleveland, John
- Who were the Metaphysicals?
- The context of Metaphysical Poetry
- John Donne: Poem analysis
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse Show more
- A Nocturnall upon St. Lucies day Show more
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning Show more
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart Show more
- Death be not Proud Show more
- Elegie XIX: Going to Bed Show more
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward Show more
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie Show more
- The Flea
- The Good-morrow Show more
- The Sunne Rising Show more
- This is my playes last scene Show more
- Twicknam Garden Show more
- What if this present
- George Herbert: Poem analysis
- Aaron
- Affliction I Show more
- Death Show more
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption Show more
- The Church-floore
- The Collar Show more
- Vertue
- Richard Crashaw: Poem analysis
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa Show more
- St Mary Magdalene, or the Weeper Show more
- To the Countesse of Denbigh
- Henry Vaughan: Poem analysis
- Ascension - Hymn Show more
- Man
- Regeneration Show more
- The Night
- The Retreate
- The Water-fall
- Andrew Marvell: Poem analysis
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love Show more
- The Garden Show more
- The Mower Against Gardens Show more
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress Show more
- Upon Appleton House, to my Lord Fairfax
- Thomas Carew: Poem analysis
- An Elegie upon the Death of the Deane of Paul's Dr John Donne Show more
- To a Lady that Desired I would Love her
- Henry King: Poem analysis
- Richard Lovelace: Poem analysis
- Abraham Cowley: Poem analysis
- Katherine Philips: Poem analysis
- John Cleveland: Poem analysis
- Themes and significant ideas
- Critical analysis
- Approaching exams and essays
- Resources and further reading
Imagery and symbolism in Valediction: of Weeping
Arguing by analogy
The poem is led by the conceits which is typical of Donne's dialectic or method of argument. This type of argument is known as arguing by analogy – an analogy being a likeness, usually an image, which is developed to carry the main argument through a series of parallels. However, in logic, the rule is that every analogy has its limits, and you need to stop before you hit the limits. We could say, sometimes, that Donne refuses to notice the limits and the force of the poem stems from him driving well beyond them.
The use of imagery in the poem is a dazzling display of verbal wit and dexterity: from minting coins, to pregnancy, to map-making, to floods, to tides and storms. Yet there is a unity of emotion behind it all.
- Analyse the expression ‘my heaven dissolved' (l.18)
- Does ‘heaven' here just mean ‘sky', for example?
- What else is implied in the term, and in the idea of dissolution?
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