Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Synopsis of Redemption
In The Temple, the great sequence of his poems Herbert had arranged before his death, Redemption occurs in a sequence on Easter, following a poem called Good Friday. As the poem deals symbolically with the death of Christ, this fits well.
More on Redemption: literally means ‘a buying back'. In the Bible, the term has the sense of a transaction which is necessary before human beings can be saved from God's condemnation for sin and disbelief. In the Old Testament (or Old Covenant), sacrifices were made which symbolised this transaction. The New Testament claims that the death of Jesus on the cross was sufficient to pay for the sins of all humankind. This concept is central to Herbert's beliefs.
A parable
Herbert was used to preaching in a rural parish, and here he uses a parable which describes a scenario with which his congregation might well have been familiar: going to a rich landowner to discuss the fact that his lease requires him to pay more than he can afford. As in a number of parables in the Bible, God is presented as the landowner and humankind as the tenant. Jesus is shown telling the parable of the tenants of the vineyard, who eventually killed the owner's son rather than pay their rent.
- In Redemption it is the tenant goes searching for the landlord, not vive versa
- How does that affect the feel of the poem?
- Would you ever naturally use the word ‘redeem' or ‘redemption'? in what contexts?
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