Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Language and tone in Good Friday, 1613
Sun/son
The language he uses in Good Friday, 1613, as so often with Donne, is predetermined by the imagery and theme. So the language is the language of devotion and the language of confession. There is another traditional play on words that Donne uses effectively here: that of Son (as in Jesus Christ, the Son of God) and Sun. The Bible states that ‘the sun of righteousness will rise with healing in his wings' Malachi 4:2 and in Christian symbolism, this is taken to refer to Christ.
Thus we have
- ‘a Sunne, by rising set' referring to the raising up of Christ on the cross, which is his death or ‘setting' . Donne also describes the sun ‘winking' and the earth (called ‘God's footstool' in the Psalms) cracking. This refers to the Gospel accounts of an earthquake occurring and darkness falling ‘over the whole land' while Christ hung on the cross. Donne seems to be saying that if Christ had not endured this darkness while paying for human sin that all human beings would have remained forever in the darkness of sin.
- This begets ‘endless day' in the symbolism of day as the light of righteousness, the night being the darkness of sin and evil. Also in the heavenly Jerusalem in the Book of Revelation ‘There will be no more night' Revelation 22:5 NIV. The Sun/Son needing to set (die) for light to be always present is the paradox which Donne achieves.
- Look at the language and tone of Good Friday, 1613
- Explain ‘that endlesse height which is/Zenith to us, and our Antipodes'
- What would you say was the tone of the poem?
- Does it allow for a dramatic reading?
- Or does it need to be quietly meditative?
- English Standard Version
- King James Version
- English Standard Version
- King James Version
This is an example of apocalyptic literature, full of colourful imagery and symbolism. It contains seven letters to churches in Asia Minor (modern Turkey) who are commended for their zeal or criticised for lack of it. The overall message is that kingdom of God will triumph in the battle against evil and the book ends with a beautiful description of the Heavenly Jerusalem as the symbol of God's presence among humankind in a new heaven and earth.
Big ideas: Judgement; Dreams, visions and prophecy; Serpent, devil, Satan, beast; Apocalypse, Revelation, the End Times, the Second Coming
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