- Metaphysical poets, selected poems
- John Donne: Poem analysis
-
Good Friday, 1613. Riding Westward
- Aire and Angels
- A Hymn to God the Father
- At the Round Earth's Imagin'd Corners
- Elegie XVI: On his Mistris
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Flea
- This is my playes last scene
- What if this present
- Structure and versification in Good Friday, 1613
Metaphysical poets, selected poems Contents
- Introduction
- Timeline
- Images
-
Author(s)
- Donne, John
- John Donne's early life
- John Donne - from Catholic to Protestant
- John Donne's marriage and its aftermath
- John Donne - The Reverend Dean
- Herbert, George
- Crashaw, Richard
- Vaughan, Henry
- Marvell, Andrew
- King, Henry
- Lovelace, Richard
- Cowley, Abraham
- Philips, Katherine
- Cleveland, John
- Who were the Metaphysicals?
- The context of Metaphysical Poetry
- John Donne: Poem analysis
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse Show more
- A Nocturnall upon St. Lucies day Show more
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning Show more
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping Show more
- Batter my heart Show more
- Death be not Proud Show more
- Elegie XIX: Going to Bed Show more
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie Show more
- The Flea
- The Good-morrow Show more
- The Sunne Rising Show more
- This is my playes last scene Show more
- Twicknam Garden Show more
- What if this present
- George Herbert: Poem analysis
- Aaron
- Affliction I Show more
- Death Show more
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption Show more
- The Church-floore
- The Collar Show more
- Vertue
- Richard Crashaw: Poem analysis
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa Show more
- St Mary Magdalene, or the Weeper Show more
- To the Countesse of Denbigh
- Henry Vaughan: Poem analysis
- Ascension - Hymn Show more
- Man
- Regeneration Show more
- The Night
- The Retreate
- The Water-fall
- Andrew Marvell: Poem analysis
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love Show more
- The Garden Show more
- The Mower Against Gardens Show more
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress Show more
- Upon Appleton House, to my Lord Fairfax
- Thomas Carew: Poem analysis
- An Elegie upon the Death of the Deane of Paul's Dr John Donne Show more
- To a Lady that Desired I would Love her
- Henry King: Poem analysis
- Richard Lovelace: Poem analysis
- Abraham Cowley: Poem analysis
- Katherine Philips: Poem analysis
- John Cleveland: Poem analysis
- Themes and significant ideas
- Critical analysis
- Approaching exams and essays
- Resources and further reading
Structure and versification in Good Friday, 1613
Good Friday, 1613 is written in non-stanzaic form, as are the Elegies and Satires. The form is iambic pentameter rhyming couplets.
Enjambements
In fact, Donne finds his argument spills over frequently into enjambement, again fairly unusual for him. Thus ll.15-16; 23-24; 37-38. The final couplet reminds us of the final couplet in his Holy Sonnets: resolved and yet not quite done. The verse is low-key.
Investigating Good Friday, 1613
- What do you find striking about Good Friday, 1613?
- Even though you may not be the least religious, have you been able to enter into the religious imagination of the poet?
- Look again at the section on symbolism in the poem
- Is there further symbolism in Donne's allusion to west and east that we have not touched on?
The technical name for a verse, or a regular repeating unit of so many lines in a poem. Poetry can be stanzaic or non-stanzaic.
A term used of speech rhythms in blank verse; an iambic rhythm is an unstressed, or weak, beat followed by a stressed, or strong, beat. It is a rising metre.
A line containing five stressed syllables or feet.
Pairs of lines which rhyme with each other.
The technique used in blank verse and other verse forms in which the sense of a line runs on without a pause to the next one; this often gives a sense of greater fluency to the lines.
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