Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Commentary on Ascension - Hymn
Remembering lost loved ones
The first two stanzas of Ascension – Hymn refer to Vaughan's memories of recently lost loved ones. Their memory both lightens his life and causes sadness. The contrast of where they are now ‘in an Air of glory', and where he is ‘My days .../ Meer glimmering and decays' turns his thoughts to death and to the much better life after death. He sees death (‘Dear, beauteous death!') positively, as an entry into light and mystery of which we are given the smallest glimpses in this world (‘into glory peep').
Body and soul
He proceeds by a series of images to separate body and soul. The body is a shell or a tomb, out of which the soul will fly away at death. The language is almost entirely in terms of light and darkness. Though we may think of death as darkness, it is in fact life on earth that is shrouded and gloomy. He finishes with a plea to God either to give him more revelation of heaven or take him there through death.
- How else might life after death be visualised?
- To what extent is Vaughan's desire for heaven just because of the loss of loved ones?
- Or is it some more deep-seated longing? Look at his The Retreate
- List the words in Ascension – Hymn that are to do with light and shade.
- List words that are to do with enclosure and entrapment, and freedom.
Recently Viewed
Related material
Scan and go
Scan on your mobile for direct link.