Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Synopsis of Elegie
Background
Thomas Carew (pronounced ‘Carey') (1594-1640) is usually considered a Cavalier poet, being associated with the courtly wits of Ben Jonson. He was an educated man, having graduated at Oxford in 1608, Cambridge in 1612, then attending law school at the Middle Temple, much as John Donne had done. He then became a courtier, writing a certain amount of witty, polished, and sometimes slightly scandalous verse, which was collected and published at his death in 1640.
Elegies
Carew's elegy is one of a number of elegies written on Donne's death, and first published as part of Donne's complete poems in 1633. It was quite common then to ask a number of people to write elegies on someone's death, and to collect them together as memorial verses. John Milton's pastoral elegy Lycidas, written in 1637, is an example. Occasionally, as with Carew's and Milton's, the elegies achieve some greatness of their own.
This poem, however, is truly Metaphysical: not only does he appreciate Donne's metaphysical wit, but he sees clearly what Donne has achieved for English poetry. He also uses many conceits in the Metaphysical style, and his expression is forceful and intelligent in the way that Donne's is. Few modern critics have disagreed with Carew's assessment of Donne. One indeed, J.B. Leishman, has entitled his book on Donne after one of Carew's phrases- The Monarch of Wit.
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