Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Themes in Elegie
Poet and priest
Carew's chief theme in An Elegie is thinking about Donne's vocation as poet and priest, though he mainly focuses on his role as a poet. This is interesting, in that in his own day, and certainly at his death, Donne was known much more as a preacher. It shows just how well known his poetry was, even though it had not been properly published, but just circulated in manuscript. Carew does not feel there is any gap between poetry and sermon, either; there is no sense of apology that somehow the poetry was not very ‘holy'.
Carew clearly never knew Donne personally, so does not try to claim some privileged insight. His praise is from a fellow poet and someone concerned with the state of literature in England. As far as he was concerned, the final flowering of Elizabethan poetry was over. We cannot blame him for his pessimism. Milton had not yet arrived on the scene, nor the second generation Metaphysical poets.
- Look at the themes in Elegie
- Do you find English ‘a stubborn language' (l.50)?
- Look at Donne's own elegies
- Elegie XIX: Going to Bed and Elegie XVI: On his Mistris are both analysed on this website
- In what ways does the very difference of Donne's elegies from those of Carew illustrate what Carew says?
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