Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Structure and versification in The Extasie
A simple structure
Although The Extasie is a long poem, its structure is quite simple, much simpler than the typical Donne poem, being a series of iambic tetrameter quatrains, rhyming abab. The iambic tetrameter form is a favourite form for many of the metaphysical poets, especially Andrew Marvell, though Donne tends to avoid it (though note A Valediction: Forbidding Mourning). Some editions actually print the poem as quatrains. The sentence structure adheres fairly strictly to the quatrain form, which again makes the argument that much easier to follow. There are no ‘neat' solutions, since there are no rhyming couplets, so when two lines fit together perfectly, as do ll.71 and 72, it is a consonance of thought rather than of sound.
- Look at the structure of The Extasie
- In what sense is the poem a ‘dialogue of one' (l.74)?
- The woman is completely silent the whole way through. Is there any sense of her presence?
- If so, how does Donne create it?
- In what sense is the poem ‘an invitation to sex'?
- How does it differ from other such invitations, such as The Flea or The Dreame?
- How do the theological ideas of incarnation and revelation help us appreciate the poem?
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