Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Themes in The Collar
Submission and personal freedom
The main theme concerns the conflict between submission to God and the desire for personal freedom. The trouble is that the constraints seem here to be from within the poet.
Thy rope of sands
expresses this marvellously. The cage and rope are of his own making in terms of his conscience ‘what is fit, and not'. The words are put in italics because they represent words spoken in some inner dialogue. The constraints of conscience may also have been a sense of vocation, or a calling being given him by God, which he sees as further restriction on his own career ambitions or desire for pleasure.
Loss of direction
The theme that accompanies this is that of Incoherence and fragmentation. His life has lost direction, meaning and productivity, as in Affliction I. He feels that it can regain direction ‘On double pleasures', the reader may doubt whether this is going to work. There are just too many desperate, fragmented questions being asked for us to be confident that this is the right direction in which to find coherence. And of course, it isn't.
- Consider the themes identified in The Collar
- Can you see any other theme of significance in the poem?
- Which words or phrases draw attention to it?
- Which words and phrases suggest captivity?
- Which ones suggest freedom?
- Can you see any other theme of significance in the poem?
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