Metaphysical poets, selected poems Contents
Language and tone in Batter my heart
Dramatic language
The language used by Donne in Batter my heart is highly dramatic.
- The monosyllabic verbs especially hit us, as they are run off as a list in quick succession:
- ‘knocke, breathe, shine' contrasting with
- ‘breake, blowe, burn' The alliteration is carried on from the opening ‘Batter'
- The paradoxes are similarly paired:
- ‘rise and stand' with ‘o'erthrow';
- ‘imprison...enthrall' with ‘free'
- The verbs predominate, just as monosyllables do.
Dramatic voice
The initial outburst reminds us of Donne's dramatic voice, seen in so many other openings:
- ‘Busie old foole' (The Sunne Rising)
-
‘For Godsake hold your tongue' (The Canonisation)
-
‘Blasted with sighs' (Twicknam Garden)
-
‘Spit in my face' (another of the Holy Sonnets).
However there is considerable variation of tone: it is not all strident. 1.6 has more a tone of longing; 1.9 is much softer, a declaration of love. The drama is never rant. There is a curious tension between importunity and reverence.
Investigating Batter my heart
- Examine the proportion of statements to commands in Batter my heart
- Is there a pattern?
- Is ‘commands' exactly the right word?
- Can you think of better terms to use for the voice he uses to God?
Literally, using words of one syllable; using few, short, words as if reluctant to speak.
Alliteration is a device frequently used in poetry or rhetoric (speech-making) whereby words starting with the same consonant are used in close proximity- e.g. 'fast in fires', 'stars, start'.
The tone of voice in which anything is to be read in: e.g. lyrical, dramatic, contemplative.
Recently Viewed
Related material
Scan and go


Scan on your mobile for direct link.