Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Synopsis of The Definition of Love
The metaphysics of love
Marvell's The Definition of Love is an excellent example of what constitutes a metaphysical love poem. It is literally ‘metaphysical' in the sense of being philosophical. Like science and mathematics, philosophy often tries to define what a concept is and is not. ‘What is the being of my love?' the poet asks. The study of being in metaphysics is called ‘ontology'. To define something is to find its limits, where it stops being that particular thing, and becomes another. Then to move to its centre: what is its central identity, without which it would not be that thing? This is exactly what Marvell does here.
In metaphysical style
The Definition of Love is also in the poetic style of the Metaphysicals. Like Donne, Marvell is not in the least romantically concerned with his beloved, what she looks like or feels or what she says. It is the love relationship and the state of being in love which matter. And like Donne, Marvell conducts his argument through images, and images so far removed from the conventional imagery associated with the topic that they can be called conceits. Marvell uses the language of mathematics and cosmology here, just as Donne uses that of geography, theology and science.
- What do you understand by the term metaphysical wit?
- How is it illustrated by The Definition of Love?
- What do you understand about some of the mathematical ideas that Marvell uses, such as parallelism?
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