Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
The Transience of Life
John Donne:
George Herbert:
Henry King:
Henry Vaughan:
Andrew Marvell:
In contrast to the Elizabethans, the Metaphysicals are not usually unduly worried about the brevity of life. Only Marvell's To his Coy Mistress captures the urgency of the Elizabethans, the Carpe Diem theme as it is sometimes called. Vaughan's The Water-fall and Marvell's On a Drop of Dew are remarkably similar in their quiet and philosophical treatment of the theme, presented in Platonic terms. The soul actually only wants to spend a short time in the worlds: it would far sooner be back in heaven. Images of mist or dew are therefore appropriate, if somewhat traditional images. See also Grass and wild flowers.
This absence of angst is also seen in Herbert. His Life and Vertue put life's shortness in a more specifically Christian context. Life's shortness is to be philosophically accepted. Donne's The Anniversarie is, in fact, a celebration. In contrast, King's loss triggers a much more dramatic struggle. In The Exequy, yes, he does want his life to be short, but only so he can rejoin his wife in heaven. It was the ‘untimely' shortness of her life that precipitates him into this wish, rather than any quiet acceptance. In the end, he does come to a place of some consolation, but this is rather different from Herbert's sunny acceptance of the ‘timeliness' of our life-span.
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