Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Commentary on Nocturnall
Stanza one
The scene is quickly set. It is the midnight just before the shortest day of the year – a time of deepest gloom, when the whole of life seems to have been sucked back into the earth. Even so, compared to how the poet feels, ‘all these seem to laugh'.
Stanza two
Donne moves on to explore the metaphysics of nothingness. In stanza 2 he claims he is ‘A quintessence even from nothingnesse'. A quintessence is a five-fold distillation, and, in contemporary chemistry, was reckoned the purest attainable. His emotional state is vividly portrayed: he feels nothing; he is nothing - utterly, completely.
Stanza three
In the third stanza, Donne thinks back to previous separations. The little world of the lovers was temporarily broken by such absences, reducing them to corpse-like states, zombies.
Stanza four
Now the absence is permanent. And it is marked emotionally in the complete absence of any feeling. Donne feels he simply does not exist. He is not even an ‘ordinary nothing'. In hyperbole which is typical of him, he has to be extraordinary and unique even in his ‘nothingness'.
Stanza five
In the last stanza, Donne sadly bids living lovers anticipate the spring and new life, while he feels his only future is to ‘prepare towards her', that is, prepare himself for his own death. There will be no spring for him. The poem finishes in a circular movement, at ‘the dayes deep midnight'.
- Read carefully through A Nocturnall upon St.Lucies day
- Collect together words and phrases in the poem that suggest
- nothingness
- isolation
- Can you find the links between each of the stanzas?
- To whom is the poem addressed?
- How would the poem differ if it were addressed to the dead person?
- Collect together words and phrases in the poem that suggest
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