Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Lovers' Infiniteness
This closely reasoned poem deals with ‘Love's riddles', especially the riddle of whether we can ever love another person completely. There is, as in all the most effective Metaphysical poetry, a joining of an actual human experience with thinking through the meaning of the language used to describe that experience.
Love as a transaction
Here two sorts of language are examined. One is the language of love as a transaction. Words like ‘treasure', ‘purchase', ‘bargaine', ‘outbid' are quoted, as is the legal principle of what is actually bought when a purchase is made, particularly of land or ‘ground'. If we ‘purchase' someone's love, is it like purchasing a piece of land, where we own everything that grows on it from then on, or is it like purchasing goods when what you see is yours but no more. We have to remember that, in Donne's day, many marriages did have contracts drawn up by the parents.
- In Lovers' infiniteness
- What has Donne spent on ‘purchasing' his mistress's love?
- Does he feel he ‘owes' anything more?
- Having spent everything, what is his problem?
Love that grows
The other sort of language we often use of love is that of growth, using more natural imagery. Love does grow, it is not fixed. This is our human experience. Of course, it can also shrink, unfortunately, but Donne avoids that thought. So, even after a declaration of giving all our love to someone, that love could still grow. The declaration does not fix it in size.
But then he mixes the two languages and asks: who does the increase belong to: the seller or the buyer? This mixing forms the dilemma.
The unity of the lovers' world
The resolution comes by using a more religious type of language: that of the union of true love. Rather than ‘changing hearts' - that is ‘exchanging' as in a transaction - we actually ‘joyne' to become one. This is the language of Donne's The Extasie and of the Bible Genesis 2:24; John 17:11. The ‘way more liberall' here means the way of freeing us from this dilemma, this limited way of thinking. In the unity of the lovers' world, lies true infinity.
- Would you say that Lovers' infiniteness is an idealistic poem?
- If so, what exactly is idealistic about it?
- Does this poem help you see what is metaphysical about Metaphysical poetry?
- English Standard Version
- King James Version
- English Standard Version
- King James Version
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