Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
The beauty, variety and uniqueness of nature
Particular beauty
This is undoubtedly the theme Hopkins addressed most, and for which he is probably best known. It is a Romantic theme, but Hopkins' addition to the Romantic celebration of natural beauty is the uniqueness of each natural occurrence of beauty, whether in a landscape or in a person. There is thus an infinite variety of expressions of that beauty. Duns Scotus saw God as being beautiful, and believed, therefore, that all his Creation reflected that beauty in some way, each aspect being unique or particular. Many of Hopkins' poems celebrate specific natural beauty, for example, Pied Beauty or The Starlight Night.
Life in the light of beauty
In The Windhover there is a problem, in that the bird's beauty in flight reminds the poet of his rather dull, restricted life, and so gives rise to frustration as well as delight. It is a very mixed response. In Henry Purcell, Hopkins is entranced by the beauty of Purcell's unique music, but is concerned about the man's salvation, as he was not a Catholic. Hopkins cannot easily separate the art from the artist.
The fragility of beauty
Another concern (which ties up with the theme of the ugliness of modern life) is seen in Binsey Poplars. This depicts how an individual inscape, once destroyed, cannot be re-created, and yet modern life seems to have very little sense of this. God's Grandeur also sees beauty as being easily obliterated (though it perceives God's renewing force through the Holy Spirit).
On the other hand, Nature itself seems to remind us of the shortness of its beauty. In Spring and Fall, the shedding of leaves reminds the child that all beautiful things come to an end: this is the transience of life. This tension between actual transience and the desire for permanence is captured in a verse in the Old Testament which Hopkins would have known:
This is the theological foundation of Hopkins' problem and the search for a solution.
Natural and divine beauty
As Kingfishers Catch Fire forms an important thematic link between natural beauty and God's. This is probably the central poem for the study of this theme, as Hopkins lists the unique inscape of each created thing, including humans. Each human is unique in his or her giftings, too. Yet ideally, as humans act in grace (the concept mentioned in looking at the theme of Beauty and its purpose), they will individually demonstrate Christ's universal beauty.
- English Standard Version
- King James Version
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