Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Personal freedom
George Herbert:
Henry Vaughan:
Andrew Marvell:
Richard Lovelace:
The few poems directly on this theme point to a major difference between modern poetry and the Metaphysicals. It was not really till the Romantic poets that this became a major concern, either at a personal or a political level.
Herbert's The Collar is about how he found personal freedom in submission to God's will. This is a basic religious paradox which states that only in submission to God is true human freedom to be found. This is one of the most difficult things non-believers find about religion: how this paradox can be true.
Lovelace deals with a parallel paradox: how he can be free whilst in prison? The answer is obviously in the mind, but Lovelace is more specific: he is still free in prison to love and to have values. We might argue that Lovelace's prison experience was fairly minor, but it nevertheless does address a core issue of human freedom and dignity.
Marvell and Vaughan both address the issue through meditation. It is only by withdrawal from the world that they feel it is possible to achieve freedom. This is essentially an inner spiritual freedom, though it has had, in history, a political outworking, for example in the emancipation of slaves.
Recently Viewed
Scan and go
Scan on your mobile for direct link.