Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
John Donne's early life
John Donne was born in the reign of Queen Elizabeth I, in 1572. He was 31 when Elizabeth died, by which time he had written much of his poetry. So it is as true to see him as an Elizabethan poet as a seventeenth-century one.
John Donne’s family
- His father was an ironmonger in London
- His mother was the daughter of a dramatist, Thomas Heywood
- They were Roman Catholic, when the country as a whole had become Protestant. Many Catholics had a difficult time, as they were suspected of being in league with England's enemy, Spain. Donne was 12 when the Spanish Armada was defeated.
- An uncle of Donne was condemned to death for being a Catholic Jesuit priest.
- Donne’s brother Henry was imprisoned for hiding a Catholic. Whilst in prison awaiting trial, Henry died of jail fever in 1593.
John Donne at university
The young John Donne was sent to Hart Hall (later Hertford College) at Oxford University when he was only 11. If he had waited till he was 16 or older, he would have had to take the oath of allegiance to Elizabeth as Head of the Church of England, something which Catholics were forbidden to do. So his astute parents wanted him to enter university before he needed to take the oath. He may have gone on to Cambridge afterwards for further study.
John Donne as a law student
Many young men of the time received their higher education at one of London's Inns of Court. Today, Inns of Court are where London barristers have their chambers (offices). In Donne's day, young men studied for the law there, under instruction from senior lawyers. They also seem to have had a good time. By all accounts, Donne was something of a dashing young man, very witty, quite a ladies’ man. He wrote poetry, witty and sometimes quite risqué, which was circulated in manuscript. None of this poetry (nowadays gathered together as Songs and Sonnets, Epigrams and some of the Elegies and Satires) was published till after his death, but the handwritten collection was certainly known about.
Recently Viewed
Scan and go
Scan on your mobile for direct link.