Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Synopsis of The Mower against Gardens
The mower
In the Miscellaneous Poems of Marvell, published posthumously, this poem stands first in a set of four pastoral poems around the figure of the mower. The others are: Damon the Mower; The Mower to the Glo-Worms; and The Mower's Song. Mowers also occur in Upon Appleton House. Mowers were, of course, quite common in agricultural scenes in the seventeenth century, especially in hay-making. But a mower can stand for Time, with his scythe cutting down all life.
Pastoral
A significant proportion of Marvell's poetry is pastoral; but, as here, Marvell uses the pastoral convention in a most original way to ask fundamental questions about the Fall of Humankind, human passions, and the possibility of (re)gaining lost innocence within Nature. One of pastoralism's big themes is the destructiveness and artificiality of modern urban life as against traditional natural life. Today, we may ask the same questions in different terms, but they are just as urgent. The mower's complaint is both theological and ecological. Marvell turns out to be a very ‘green' poet.
More on pastoral: See The Coronet by the same poet
Typically, the pastoral uses the figure of the shepherd. But in these mower poems, Marvell replaces the figure of the shepherd with the more ambiguous one of the Mower, though this is not so obvious in this particular poem. He also suggests country life may be invaded by the corruption of the city. Place itself (the countryside, Nature) is insufficient to protect itself.
- On first reading of The Mower against Gardens
- Can you identify any modern ecological concerns that the Mower is voicing?
- How important are gardens? What makes them important?
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